Exclusive Interview: Sanio Kurtesevic of ‘A Night of Chekhov’
It’s not every day that you get to see a classic in the theater world. No, I’m not talking about
Read MoreAuthor: Brian Kitson
‘Hamilton’ Music and Stagecraft | The BSB Podcast
Much like the rest of the world, we can’t seem to stop talking about the Broadway sensation, Hamilton! This iconic
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Exclusive Interview: Jim Territo and Lauren Fuller of ‘Be Nice, Think Twice’
Who doesn’t love a date with a brand new show, right? There’s something about entering into a show that you
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‘Obsession’ is Disturbing, Bloody, and Absolutely Brilliant
Be careful what you wish for…We’ve all been told that at some point in our lives. I know that I’ve
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‘The Sheep Detectives’ is the Coziest Mystery in Theaters!
As someone who grew up in a family that loved mysteries, I’ve seen more films and read more books of
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‘Hamilton’ Story and Characters | The BSB Podcast
History class rarely includes rap battles, dramatic dance numbers, or a crowd singing about tax policy, but Hamilton somehow makes
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Exclusive Interview: Mateo Davis and Alexander Pobutsky of Detroit Public Theatre’s ‘King James’
As someone who began an outlet with my best friend because of our shared love of Broadway and Theatre, I
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Exclusive Interview: Deanna Doyle of ‘Gotta Dance!’
If you’re a theater nerd such as myself, and let’s be honest, you probably are if you’ve found your way
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Exclusive Interview: Drew Minard of ‘Gotta Dance!’
Welcome to Gotta Dance! a new show that’s a love letter to all the golden age of song and dance
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‘I Swear’ Gives a New Cinematic Perspective on Mental Health
There are some stories that need to be told and some lives that need to be examined in great detail.
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Exclusive Interview: Russell Boyle, Rachel Gottlieb Kalmowitz, & Justin Heald of Birmingham Village Players’ ‘A Little Night Music’
A Little Night Music is basically what happens when wealthy, overly dramatic people spend a weekend making terrible romantic decisions
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‘Hadestown’ Music and Stagecraft | The BSB Podcast
In Hadestown, the band doesn’t sit beside the story; it is the story. Anaïs Mitchell (much like the fates with
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