Detroit Public Theatre’s ‘The Mountaintop’ is not a history lesson. It is a reckoning.
The first thing I noticed was not a speech. Not a halo. Not a “great man” glow. It was the
Read MoreThe first thing I noticed was not a speech. Not a halo. Not a “great man” glow. It was the
Read MoreI think it’s safe to say that most people want to do good in this world. Growing up, my mother
Read MoreI saw Farmington Players’ production of Paul Slade Smith’s The Outsider on opening night, and it hit like the exact
Read MoreWhat’s life without a little melodrama, amirite? Or I suppose I should be more specific…what is life without a little
Read MoreThere are shows that are purely for entertainment, and then there are some that leave us feeling unsettled, like a
Read MoreSo many plays ask big questions about love, identity, or ambition. However, What the Constitution Means to Me asks something
Read MoreIf the world of politics is a circus, then The Outsider by Paul Slade Smith is the main stage in
Read MoreI’ve never ridden a train before in my life, unless you count the one at the Detroit Zoo, which seems
Read MoreI have a long, slightly ridiculous history with The Phantom of the Opera. On Broadway, I saw it multiple times
Read MoreWho doesn’t love the works of Andrew Lloyd Webber? As the composer of some of the greatest musicals to ever
Read MoreI walked into Kinky Boots at the Fisher Theatre expecting the usual comfort-food Broadway formula: a struggling business, a big
Read MoreThe world of Mary Shelley’s Frankenstein is one of true terror. As one of the most significant and influential works
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