Exclusive Interview: Cayla Kolbusz, Kyle Harwood, and Mohamad Mohammad of The Players Guild of Dearborns’ ‘Next to Normal’
There are some conversations that society tends to deem too sensitive or difficult to have, yet they are also among
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Exclusive Interview: Will Johnson and Joseph G. Tobin of Avon Players’ ‘Holmes and Watson’
According to Occam’s razor, the simplest answer is most often the correct one, a phrase often repeated by the world’s
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Exclusive Interview: Bryana Hall of Inspired Acting Company’s ‘Home’
What does home signal to each of us? For some, it’s a destination. A physical place where we return after
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Exclusive Interview: Stella Fenton and Josephine O’Reilly of Birmingham Village Players’ ‘The Diary of Anne Frank’
I remember being in World History back in high school, and my teacher loved to repeat a single line after
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Tipping Point Theatre’s ‘Broke-ology’ Review: Being Broke Doesn’t Mean You’re Broken
For many of us, family is incredibly important. I don’t know where I would be without my family, who have
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MBT’s ‘What the Constitution Means to Me’ is Prolific in All the Right Ways
It’s not completely out of pocket to say that we’re living through unprecedented times, with everything that seems to be
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Exclusive Interview: Olivia Deane, Steve Sedore, and Catherine LaPointe of Livonia Community Theatre’s ‘The White Rose’
What would you be willing to risk for the truth? What a powerful question to think about, and for many
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The Ringwald Theatre’s ‘Somewhere’ Dares Audiences to Dream Big
Somewhere in my adolescence, my mother decided to take me through some of her favorite musicals. We began with some
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Detroit Public Theatre’s ‘The Mountaintop’ is not a history lesson. It is a reckoning.
The first thing I noticed was not a speech. Not a halo. Not a “great man” glow. It was the
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Exclusive Interview: Kez Settle of Detroit Mercy Theatre Company’s ‘Poor Clare’
I think it’s safe to say that most people want to do good in this world. Growing up, my mother
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Panic in the Capitol: ‘The Outsider’ Is Political Chaos, Perfectly Timed
I saw Farmington Players’ production of Paul Slade Smith’s The Outsider on opening night, and it hit like the exact
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Exclusive Interview: Maggie O’Reilly and Bryan Lark of ‘As I Die & Wheeze!’
What’s life without a little melodrama, amirite? Or I suppose I should be more specific…what is life without a little
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