FeaturesMusicalsReviewsTheater

‘Dirty Dancing: The Musical’ Finds Its Rhythm in a Fresh New National Tour

Share this with a friend!

Some productions hit you differently the second time around. When I first saw Dirty Dancing: The Musical years ago while working at DeVos Performance Hall, I remember walking away feeling somewhat underwhelmed. Not because anything was bad. The performances were solid, the dancing was strong, and the audience seemed to be having a great time. My issue was with the show itself. I found the story lacking momentum, almost as if it was moving from one memorable movie moment to the next without ever fully finding its rhythm.

So when this newly reimagined national tour came through town, I was curious whether my opinion would change. To my surprise, it absolutely did. Under the direction of Lonny Price and with choreography by Darrell Grand Moultrie, this refreshed production injects new energy into a show that has often relied heavily on audiences’ pre-existing love for the film.

[Warning: Spoilers from Dirty Dancing: The Musical are below!]

Better pacing, better energy

The biggest improvement I noticed was the pacing. This production feels more focused and more intentional. Scenes transition more smoothly, the overall energy remains higher throughout the evening, and the story moves forward with greater urgency than I remembered from previous productions. That’s not to say everything is perfectly streamlined. There were still several moments when I thought a transition could have been shortened or an entire scene cut without affecting the overall story. At times, the production still shows some of the challenges of adapting a beloved film into a stage musical.

Billy (Ethan Peterson) and Baby (Annalese Starzec). Dirty Dancing: The Musical (Matthew Murphy).

However, I also understand why those moments remain. Let’s be honest: most people aren’t buying a ticket to Dirty Dancing for a bold reinterpretation of the material. They’re coming to relive the movie they know and love. They want the memorable dialogue, the familiar story beats, and the iconic scenes that made the film a cultural phenomenon in the first place. The creative team clearly understands that. Rather than reinventing the wheel, they focus on making the existing material more engaging while preserving the moments audiences expect. And for the most part, that strategy works.

The dancing carries the evening

One of the most noticeable differences in this production is how much of the storytelling is driven by movement. Darrell Grand Moultrie’s choreography gives the show a pulse that I don’t remember feeling quite as strongly before. The dance sequences don’t simply entertain between scenes; they become a crucial part of what keeps the evening moving. Whenever the narrative starts to slow down, the choreography reenergizes the room.

The ensemble deserves a tremendous amount of credit for this. The cast consistently maintains the atmosphere of Kellerman’s Resort, creating a lively, populated world rather than simply serving as a backdrop for Baby and Johnny’s romance. In many ways, this production feels less dependent on its two leads than previous versions I’ve seen. That isn’t a criticism of the principal actors. Rather, it’s a testament to how effectively the entire company contributes to the show’s success.

Johnny (Blake Zelesnikar) and the Dirty Dancing: The Musical Company (Matthew Murphy.)
Johnny (Blake Zelesnikar) and the Dirty Dancing: The Musical Company (Matthew Murphy)

Annalese Starzec leads the cast as Frances “Baby” Houseman, with Blake Zelesnikar as Johnny Castle. Both performers bring warmth and authenticity to roles that many audience members know inside and out.  Putting your own stamp on these characters is no easy task. The film versions have become iconic, and audiences arrive with very specific expectations. Fortunately, both performers strike the right balance between honoring the source material and creating believable stage versions of the characters. I was also impressed by how evenly the talent is distributed throughout the cast. Performers like Olivia Cece as Penny and the rest of the ensemble help create a collaborative, rather than top-heavy, production. The company’s vocals are strong, and they maintain energy from beginning to end.

The audience reaction to Dirty Dancing: The Musical says it all

As much as critics and theater enthusiasts like to analyze structure, pacing, and storytelling, sometimes the simplest metric is audience response. And based on the reaction in the theater, this production is a hit.

The crowd around me was fully invested from the opening scenes onward. Familiar lines were met with excitement. Musical numbers consistently drew enthusiastic applause. By the final moments, the audience was completely on board. The energy during curtain call was especially telling. People weren’t just politely applauding a decent production. They were genuinely excited by what they had experienced.

Frankly, they ate it up. That reaction reminded me that theater isn’t always about breaking new artistic ground. Sometimes it’s about delivering a satisfying experience that allows audiences to revisit a story they love. This tour accomplishes exactly that.

Final thoughts on this Broadway show

Going into this performance, I expected my opinion of Dirty Dancing: The Musical to remain largely unchanged. Instead, I found myself pleasantly surprised.

Is every scene essential? Probably not. Could portions still be tightened? Absolutely. But this reimagined national tour has solved many of the issues that held the show back for me years ago. The pacing feels stronger, the choreography is a major asset, and the overall production feels more alive. Most importantly, it understands its audience and delivers the experience they came for. If you’re a fan of the film, this is an easy recommendation. If you’ve seen previous productions and weren’t entirely convinced, you may have the same reaction I did. Sometimes a second chance is all a show needs.

Want to see it for yourself? Grab your tickets from ATG Detroit’s website or visit The Fisher Theatre’s box office to see this musical adaptation of a modern romantic story! Dirty Dancing: The Musical runs through October 18th at The Fisher Theatre! For more information about this touring production, including when it’s arriving in your city, check out its official page! Are you excited to catch this show when it comes to a city near you? What’s your favorite moment from Dirty Dancing? Share your thoughts on social media and tag @bsb.insider to keep the conversation going!

Exclusive Interview: Ashley LaLonde of Dirty Dancing: The Musical

Ashley Lalonde Dirty Dancing the musical Interview Banner

Share this with a friend!