Exclusive Interview: Andrew Reid and Mike McGettigan of Planet Ant’s ‘How Romatique’
What’s love, anyways, without a few Hallmark tropes thrown in, amirite? As someone who grew up on romantic comedies, the
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Three Holmes, One Watson, and a Whole Lot of Suspicion at Avon Players
There is nothing I love more than a mystery that makes me work for it a little. Not a mystery
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Birmingham Village Players’ ‘The Diary of Anne Frank’ Packs an Emotional Punch
I struggled with where to begin with this review. Not because of anything that Birmingham Village Players did with their
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‘Liberation’ | The BSB Podcast
Everyone has a story to tell, which is just one of the many reasons we should talk with family and
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Exclusive Interview: Cayla Kolbusz, Kyle Harwood, and Mohamad Mohammad of The Players Guild of Dearborns’ ‘Next to Normal’
There are some conversations that society tends to deem too sensitive or difficult to have, yet they are also among
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Exclusive Interview: Will Johnson and Joseph G. Tobin of Avon Players’ ‘Holmes and Watson’
According to Occam’s razor, the simplest answer is most often the correct one, a phrase often repeated by the world’s
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Exclusive Interview: Bryana Hall of Inspired Acting Company’s ‘Home’
What does home signal to each of us? For some, it’s a destination. A physical place where we return after
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Exclusive Interview: Stella Fenton and Josephine O’Reilly of Birmingham Village Players’ ‘The Diary of Anne Frank’
I remember being in World History back in high school, and my teacher loved to repeat a single line after
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Detroit Mercy Theatre Company’s ‘Poor Clare’ Finds the Humor in Religion
I’m not exactly what you would call religious. Spiritual? Sure, that might be the better descriptor, as I definitely believe
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Exclusive Interview: Olivia Deane, Steve Sedore, and Catherine LaPointe of Livonia Community Theatre’s ‘The White Rose’
What would you be willing to risk for the truth? What a powerful question to think about, and for many
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The Ringwald Theatre’s ‘Somewhere’ Dares Audiences to Dream Big
Somewhere in my adolescence, my mother decided to take me through some of her favorite musicals. We began with some
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Detroit Public Theatre’s ‘The Mountaintop’ is not a history lesson. It is a reckoning.
The first thing I noticed was not a speech. Not a halo. Not a “great man” glow. It was the
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