Exclusive Interview: Kez Settle of Detroit Mercy Theatre Company’s ‘Poor Clare’
I think it’s safe to say that most people want to do good in this world. Growing up, my mother
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Panic in the Capitol: ‘The Outsider’ Is Political Chaos, Perfectly Timed
I saw Farmington Players’ production of Paul Slade Smith’s The Outsider on opening night, and it hit like the exact
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Exclusive Interview: Maggie O’Reilly and Bryan Lark of ‘As I Die & Wheeze!’
What’s life without a little melodrama, amirite? Or I suppose I should be more specific…what is life without a little
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Exclusive Interview: Briana O’Neal and Diane Hill of Theatre NOVA’s ‘Kayak’
There are shows that are purely for entertainment, and then there are some that leave us feeling unsettled, like a
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Exclusive Interview: Dani Cochrane & Cheryl Turski of Meadow Brook Theatre’s ‘What The Constitution Means to Me’
So many plays ask big questions about love, identity, or ambition. However, What the Constitution Means to Me asks something
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Cake Walk? Not in New York: ‘Two Strangers (Carry A Cake Across New York)’ Delivers
Having only heard a few songs from Two Strangers (Carry a Cake Across New York), I went in expecting a
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Exclusive Interview: Tara Makar of Farmington Players’ ‘The Outsider’
If the world of politics is a circus, then The Outsider by Paul Slade Smith is the main stage in
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Exclusive Interview: Leta Chrisman of Stagecrafters’ ‘Murder on the Orient Express’
I’ve never ridden a train before in my life, unless you count the one at the Detroit Zoo, which seems
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‘Liberation’ Review: Sisterhood, With Notes
With all the hype Liberation had with its off-Broadway run, I went in with high expectations. I expected a smart period
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Spare Parts, Full Heart: ‘Maybe Happy Ending’ Is a Warm Glitch
Walking into Maybe Happy Ending for the first time, I expected something sweet, quirky, and lightly futuristic, like a rom-com
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Checkmate, Cold War: My First Time Seeing ‘Chess’
Walking into Chess for the first time, I expected two things: Cold War vibes and at least one song I’d
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‘The Phantom of the Opera’ Still Knows How to Haunt a Room
I have a long, slightly ridiculous history with The Phantom of the Opera. On Broadway, I saw it multiple times
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