Exclusive Interview: Will Johnson and Joseph G. Tobin of Avon Players’ ‘Holmes and Watson’
According to Occam’s razor, the simplest answer is most often the correct one, a phrase often repeated by the world’s
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Exclusive Interview: Bryana Hall of Inspired Acting Company’s ‘Home’
What does home signal to each of us? For some, it’s a destination. A physical place where we return after
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Exclusive Interview: Stella Fenton and Josephine O’Reilly of Birmingham Village Players’ ‘The Diary of Anne Frank’
I remember being in World History back in high school, and my teacher loved to repeat a single line after
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MBT’s ‘What the Constitution Means to Me’ is Prolific in All the Right Ways
It’s not completely out of pocket to say that we’re living through unprecedented times, with everything that seems to be
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Exclusive Interview: Nolan White of ‘The Outsiders’
I remember reading S.E. Hinton’s The Outsiders in school and being deeply moved by its core message. The importance of
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‘Chicago’ Music and Stagecraft | The BSB Podcast
There’s nothing quite like all that jazz, and Broadway has consistently brought the heat since 1996, when Chicago made it’s
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Detroit Mercy Theatre Company’s ‘Poor Clare’ Finds the Humor in Religion
I’m not exactly what you would call religious. Spiritual? Sure, that might be the better descriptor, as I definitely believe
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‘Chicago’ Story and Characters | The BSB Podcast
Broadway’s Chicago is truly all that jazz, and then some. Since its 1975 debut, this vaudeville-inspired musical has been winking
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Exclusive Interview: Olivia Deane, Steve Sedore, and Catherine LaPointe of Livonia Community Theatre’s ‘The White Rose’
What would you be willing to risk for the truth? What a powerful question to think about, and for many
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The Ringwald Theatre’s ‘Somewhere’ Dares Audiences to Dream Big
Somewhere in my adolescence, my mother decided to take me through some of her favorite musicals. We began with some
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‘Operation Mincemeat’ Music and Stagecraft | The BSB Podcast
Are you ready for your next mission, agent? Should you choose to accept, we have the perfect assignment for you,
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Detroit Public Theatre’s ‘The Mountaintop’ is not a history lesson. It is a reckoning.
The first thing I noticed was not a speech. Not a halo. Not a “great man” glow. It was the
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